Sadly, the "art" or recording, and writing, in my opinion, is suffering. To me it's like a scifi show episode, but I actually live it every day. I (as do the old timers around here) have a unique understanding of recording, and often we have a strong appreciation for the tools we have today. And I have to admit being very happy to have watched it unfold. My bottom line: when I started out 27 years ago, it was 24 track tape, big consoles, and a few effects (reverb by spring, or a real room), some digital effects were on the scene, but what that evolved into is so much more than I ever imagined at the time. I imagine in time that they will all become more or less the same app (as they seem to be heading that way today), and the look and feel with be the thing that will appeal to the end user. Cubase was the company that developed the VST standard that AU came out of, but for the record, Propellerheads was the creator of the first VI: Rebirth. The all pretty much do audio and midi, have built in virtual instruments and effects. Protools is the main Hardware and DSP based DAW, and in north america Logic is the big sequencer/daw with Cubase being the leader in Europe. Over time, the whole scene evolved into today, where every DAW does midi, and direct to disc recording. Opcode also was the leader when it came to developing the midi spec we take for granted today, and standard midi files. Opcode, who had Vision, became the first 3d party app to add on direct to disc recording, and became the first audio/midi daw. Midi apps evolved into DAWS: Logic came from the Atari days, and in the beginning there was Performer on the Mac, Notator (one day to be Logic ) on the Atari, as well as SMPTE Tracks Pro, an awesome Midi sequencer that died off. There were other system, and some, like the RADAR, were based on hard drives and great A?D conversion, better than Digidesigns, BUT digi was already so far ahead once TDM became the norm, that it was very hard for other types of DAW's to really catch on. It became like a Studer (I imagine only a few people will know what I'm talking about, so the rest use google and find out some of the history of the recording arts -) every "pro" studio that got into digital audio used Protools. It wasn't designed for midi work, just audio, and had hardware DSP available at a time when computers didn't have the power that they do today. If you look at the history of DAW's in general, Pro Tools was the first real multitrack system that was affordable, and understandable. But am I missing something? Should I perhaps have both? I honestly can't imagine a better DAW than Logic 9, which I love dearly. How, when it comes down to it, does it compare to Logic? Or should they be compared at all? Is it really all that everyone says it is? Never really seen it other than a few screen caps and in music stores. All I wanted to know, does it work with Logic.Īnyway, long story longer-I've never used Pro Tools. Mackie's release this year of firewire mixers that work with Pro Tools was heralded as a huge breakthrough, blah blah blah. It is, and has been for some time, the industry "standard." Yet everywhere you turn, all you seem to hear out there is Pro Tools, Pro Tools, Pro Tools. Logic to me is everything a DAW should be and much, much more. I started with Cakewalk through Sonar 2, moved on to Cubase/Nuendo, then finally got tired of dealing with all the PC driver issues and switched to Logic, starting with 8 and am now using 9. The end results: We were able to consistently and predictably gain followers averaging between $0.25-$0.35 per follower (including a bulk of the promotion being done in high cost English speaking countries such as United States, United Kingdom, Australia, & Canada) resulting in around 4,000 new, engaged followers/month on Instagram.I've used most of the major DAWs in my time. We were able to bring out the heart of his music through paid ads by editing & optimizing his existing videos and properly researching and structuring his ad campaigns.
Kid Travis already had amazing talent but needed to combine his music genius with some marketing expertise to get the best of both worlds. His main goal was to achieve new followers who are seriously interested in his journey as an artist. having us add our years of experience and expertise to them made a huge difference! He discovered that trying to run Instagram ads yourself vs. While you can get some spill over audience from YouTube, Kid Travis knew that Instagram ad campaigns could boost his presence on IG even further! With an already buzzing YouTube audience of over 400K+ subscribers, Kid Travis wanted his Instagram profile to start gaining some of that same traction.
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